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to facilitate your search, within more 200 Plexus events and more 1000 artists, from 1982 up to now.

In 2024, PLEXUS INTERNATIONAL OFFICIAL ARCHIVES MOVED FROM ROME TO SORANO, TUSCANY


EROSIONS, RESISTANCE, RESILIENCE, AWARENESS AND RENAISSANCE
Next Plexus Art Co-Opera 6
in progress
PLEXUS is an unexamined part of the contemporary art history. It would be very difficult to label Plexus
under existing art definitions
because, Plexus continues to resist against any category of art.

THE PLEXUS STORY FROM 1982 TO 2025, WITH A SHORT PRE-HISTORY

DEMATERIALIZATION OF REALITY
TIME IS CHANGED!! IS ONLY A RIDDLE OF
GRAVITATION
BY OUR MIND PAST-PRESENT-FUTURE
CONSTRUCTS






EATING ART
ART IS NOT AN OPTIONAL
ART IS MAGIC
A CHANGE IN PERCEPTION AND AWARENESS


23 Febr 2026, ATELIER D'ART KRE MBAYE POUR L'ENFANTS, DISTRIBUTION NDOGOU (Drink & Food) avec Plexus T-Shirts dans la rue, RAMADAN KARIN, Medina-Dakar, 23.02.2026





On November 13-20, 1996, the special event
From Welfare to Well Being: Eating Art, Get the Best From Your Food, Food for All, on the occasion of the First World Food Summit organized by FAO United Nations Organization , was staged i at the Roof Garden of the Palazzo delle Esposizioni of Rome. There, Plexus launched The Open Call for a World Art Bank, in Goree-Dakar, Against Any Slavery - In Order To Survive, to support nutritional and education art projects in the most and disavantaged communities, starting from the Medina of Dakar.

was performed as an aesthetic inquiry by Sandro Dernini for his Ph.D. in art education at New York University.

In New York, on February 20 1988, on the occasion of the first anniversary of his 1987 Andy Warhol’s dematerialization performance, Sandro Dernini organized the Plexus happening "An Art Redefinition of a Campbell Soup Can", inspired by the symposium The Redefinition of Art in the Collision of Cultures in the Post-Modern World, held at New York University in that time by the I.C.A.S.A. (International Center for Advanced Studies in Art).
On February 27, 1986, in New York, in the Lower East Side, at the Cultural Civic Centre C.U.A.N.D.O. (Culturas Unidas Aspireran Nuestro Destinos Original) , Plexus staged its Art Opera 3, “Eve: Escape for Donna Purgatorio from 1986 Anno Domini by the Multinational Chain Gang of Dowtown New York”, created and produced collectively by 220 artists together. Rife with symbolism, the story line of EVE art opera was about the journey of an art slave ship, on its travel through art history, escaping from the contemporary New York artworld.
It was only one hour spectacular event for the public, built for a week through an atelier des arts, performed by a cast of musicians, poets, actors, dancers, videomakers, performers and visual artists, featuring many prominent figures on the N.Y. downtown avant-garde scene, on board a metaphoric art slaves boat.


Plexus Art Opera n.3 "Eve, escaper for Donna Purgatorius from Anno Domini", 1986, Cultural Civic Centre CUANDO, Lower East Side, New York

Artwork by David Mora Catlett, New York, 1986
On June 30, 1987 in Rome, at the Theatre in Trastevere, an old L.I.A.C.A. place, it was held the press conference to present the Plexus art co-opera "
, as the first international art slave market show in modern art history, to be staged, in Sardinia, at the megalithic sanctuary of Sa Itria in Gavoi, from 1 to 4 July, 1987.
After the press conference a Plexus happening was performed in the streets of Trastevere as a recall of the 1978
L.I.A.C.A. (Lega Italiana Associazioni Culturali Alternative) cultural slaves market happening held in Rome the freedom of expression and association in Italy.
Il Serpente di Pietra, with more 160 artists as art slaves coming from 23 different countries,
was a four days of art and science, connected via the bitnet academic computer network, before that Internet existed, coordinated by the Bruce Breland and Robert Dunn of the Dax Group of Carnegie Mellon University with Franco Meloni of the University of Cagliari. It was dedicated to the Heinrich Hertz’s 100 years electromagnetic celebration for Freedom in Art and Communication.


PLEXUS ART CO-OPERA 4 IL SERPENTE DI PIETRA, Gavoi, Sardinia, 1987


On May 21, 1988, the Plexus Open Call Art Slavery Photo Shot Manifesto, as a multi-fractal 900 artists faces photo,was launched from the Rivington School, Lower East Side NY. freedom of art.

New York

Rome
In Rome, on June 15, 1988, at the Metateatro, the second group shot of artists, including several historical participants of the Italian avant-garde of the 70’s and 80’s, was taken in front to a large Rivington School photo placed at the center of the stage, with a box of Cambell's Soup Cans.

Carloforte, Sardinia
The third historical Plexus group photo was taken, three days after, on June 18, in Sardinia, in the harbour of Carloforte.

On August 26, 1988, through a serpentine art procession parade of hundreds participants, from the Medina-Dakar to the House of the Slaves in the sland of Goree, a large group photo shot was made. As conclusion, Sandro Dernini presented the Plexus International Open Call Against Art Slavery Manifesto with the proposal to open a World Art Bank against any kind of slavery.
PLEXUS ART SLAVERY MANIFESTO FROM THE DOOR OF NO RETURN, HOUSE OF THE SLAVES,GOREE-DAKAR, NEW YORK, ROME, SARDINIA, GOREE-DAKAR Sandro Dernini, Dakar, 1988
Since 2004 up today, the Plexus Metr'art has traveled physically and virtually between Gorée and Dakar (Senegal) - Ballarat and Cairns (Australia) - Lecce, Rome, Cagliari, Passo del Furlo (Italy) – New York , Palma de Gran Canaria, Rio de Janeiro Jerusalem, Rome, Assisi, and Sorano (Tuscany).
Plexus Metr'Art, is a monumental historical work of contemporary art, made up of 390.94 meters of original photocopies, from 2004-2019, of 935 digital works (jpg), by 469 artists from all over the world as their contribution to the Plexus Open Calls


Marcia della Pace, Assisi 2021


RIO+20 TERRA!! Apelo para Salvar as Tradicoes Vivas do Planeta,Comunidade Quilombola du Sacopa, Rio de Janeiro, 2012


Bring your Light, Rome 2012 Jerusalem 2012


Casa degli Artisti, Passo del Furlo, 2012 Village des Arts, Dakar, 2012


PLEXUS ART CO-OPERA 5 LA FARFALLA THE RETURN ON ART INTO THE COMMUNITY, HUMAN RIGHTS DAY, 2018, MACRO MUSEUM OF CONTEMPORARY ART OF ROME.
A MULTI-ART FORMS EVENT CONNECTED WITH CAGLIARI, SARDINIA, CAINS (AUSTRALIA), MEDINA-DAKAR, NEW YORK AND SANTA FE


PLEXUS wave of transformations ...
A dip in Plexus , aaaa ! Bruuu ! Humm ! Laugh ! I look around, return to the shore, a glance, and I dip back , picked up by a wave that makes you bump into its current strong, weak , which is transforming itself and, then it calms , I profit! ascend to the surface, a little ' breathing air , the head turns and re-turns , my eyes are toward the horizon and surroundings, see the others , thankfully, I am not alone !

PLEXUS onde di trasformazioni…
Un tuffo in Plexus, aaaa!bruuu!humm!rido!mi guardo intorno, ritorno sulla riva, un sguardo e, mi rituffo, ripresa da una ondata che ti fa sbattere contro la sua corrente forte, debole, che si trasforma e, poi si calma, profitto!salgo a galla un po’ d’aria respiro, la testa si gira e si rigira, lo sguardo è verso l’orizzonte e dintorno, si vedono gli altri, per fortuna, non sono sola!
Glaucia Coelho Demenjour, 2012

