ENGLISH

In the 1980s, during a period of significant cultural vibrancy and artistic experimentation, Plexus International was born in New York and later expanded to Dakar, Cagliari, Rome, and Amsterdam. It was founded by a diverse group of artists who, rejecting the dynamics of the art world and market, sought a different space-time to freely share ideas and experiment, aboard a metaphorical ship of art slaves, beyond the limitations of existing artistic scenes.

 

From 1983 to 2023, Plexus has carried out numerous collaborative projects and events in various parts of the world, bringing together musicians, visual artists, performers, poets, theatre actors, dancers, playwrights, scholars, and community activists. These projects have involved both established names and emerging artists. These events, which have characterized Plexus's journey and included over 1,000 artists, remain an unexplored part of contemporary art history. 

 

This eclectic collaborative mix has become the hallmark of Plexus's artistic events, creating an atmosphere full of inspiration, where ideas flowed freely like a river in the creation of a unique form of collaborative art known as "The Plexus Art Co-Opera."

 

The Art Co-Operas have been the distinctive feature of Plexus's journey, uniting diverse communities of artists with varying visions and artistic forms, while also providing opportunities for art networking among the public on pressing issues such as human rights, peace, biodiversity loss, desertification, and the value of cultural diversity.

In 2008, they launched a call for the Safeguarding of Cultural and Natural Heritage of Humanity from the House of Slaves in Goree, Dakar, symbolizing the erosion of our historical memory and all form of ancient and contemporary slavery.

 

 

Plexus International aims to promote a shift in awareness and perception of art and culture as sustainable human resources, vital for our evolution and survival on the planet.

The Official Archives of Plexus International, meticulously documenting its activities from 1982 to 2024, have been transferred from Rome to Sorano, along with their collection of original documents and certified original Plexus artworks, including the Plexus Metr'Art, a monumental contemporary artwork stretching 390.94 meters, created from 2004 to 2019, comprising 935 contributions from 469 artists worldwide.

 

The Plexus digital archive hosts over 25,000 photographs and more than 170 videos on the Plexus YouTube channel. The full activities of Plexus International can be found at www.plexusinternational.org.

Additionally, comprehensive documentation of the activities of the Forum on Mediterranean Food Cultures on sustainable food systems and the Mediterranean diet as a model of sustainable eating is preserved. From 2016 to 2022, three global conferences were co-organized to revitalize the Mediterranean diet as a community resource for sustainable development—environmental, economic, and sociocultural. The full activities of the Forum can be found at www.medfoodcultures.org.

The Archives of Plexus International at Plexus International Forum APS ETS, Via Giovanni Pascoli 6, Sorano, are open for consultations by appointment (email: info@plexusinternational.org). Visitors can also enjoy stays at the DJOUR'S Guest House, on-site, by reservation.

 

Over 1,000 artists have participated in the journey of Plexus International (musicians, poets, visual artists, performers, dancers, theater actors, playwrights, academics, and community activists), interacting with each other in various parts of the world through unifying metaphors and myths. At the end of events, ritual group photographs were taken of participating artists holding photographs from previous events, a deliberate action of artistic compression of hundreds of recognizable faces of other artists, symbolically united together in the art journey of Plexus International.

Plexus International was founded in New York in 1982 by a heterogeneous group of artists within that engaging and experimental participatory cultural environment of the 1980s, seeking an alternative to the dynamics of the art market. It is currently present in the Medina of Dakar, Rome, Cagliari (Sardinia), Cairns (Australia), New York, and now in Sorano.
Since 1985, Plexus Art-Co-Operas have enabled interdependent creative interactions within an eclectic mix of concepts, artistic expressions, scientific notions, disciplines, languages, cultures, and geopolitical contexts, facilitating individual energies to express themselves collectively in the perception and awareness of our shared existence on planet Earth. A shift in awareness about the value of art and culture as nourishment for our evolution and survival.
Since 1987, Plexus International, with the Art Co-Opera “Stone Serpent,” has conducted the first exchanges of digital art, facilitated by the Digital Art Exchange DAX Group at Carnegie Mellon University and the Department of Physics at the University of Cagliari, before the advent of the internet, and has continued to explore the evolution of new communication media to encourage new experimental artistic interactions.
From 2004, the Plexus Open Calls accompanying the traveling international event Erosions and Renaissance have raised awareness of the increasing global and interdependent challenges we face today: climate change, exploitation of the planet's natural resources and human beings, loss of biodiversity and cultural diversity, human rights, injustice, poverty, hunger, wars, peace, and freedom.
In 2008, Plexus International launched the “Appeal for the Safeguarding of the Cultural and Natural Heritage of Humanity” from the Door of No Return of the House of Slaves in Goree, Dakar, as a symbol of the erosion of humanity's historical memory.
From 2004 to 2019, the monumental Plexus Metr'Art, measuring 390.94 meters, was created with reproductions of 935 digital artworks submitted by 469 artists from around the world.

The artistic journey embarked upon by Plexus International aims to create a new “art environment” where artists act as independent producers of their “Art Co-Opera,” co-created through a modular construction built by the artists themselves, as primary consumers of their artistic contributions and simultaneously co-producers with other artists in the Art Co-Opera, carving out a shared, yet unexplored space-time of art, science, and digital communication technologies. This has been part of the global and participatory journey undertaken by Plexus International for over 40 years without interruption.

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ITALIANO

 

Negli anni Ottanta, in un periodo di significativa vivacità culturale ed esperimentazione artistica, Plexus International nasce a New York, sviluppandosi poi a Dakar, Cagliari, Roma e Amsterdam, da un gruppo eterogeneo di artisti, che non accettando le dinamiche del mondo dell'arte e del mercato, a bordo di una metaforica nave di schiavi dell’arte, cercavano un loro altro spazio-tempo dove liberamente condividere idee e sperimentazioni, al di fuori dai limiti delle scene artistiche esistenti.

 

Dal 1983 al 2023, Plexus ha realizzato in diverse parti del mondo numerosi progetti ed eventi collaborativi tra musicisti, artisti visivi, performers, poeti, attori teatrali, ballerini, drammaturghi, studiosi e attivisti comunitari, a cui hanno partecipato nomi affermati ed artisti emergenti. Questi eventi, che hanno caratterizzato il viaggio di Plexus e a cui hanno partecipato oltre 1000 artisti, sono ancora una parte inesplorata della storia contemporanea dell'arte.

 

Questo mix eclettico collaborativo è diventato il carattere distintivo degli eventi artistici di Plexus, attraverso un’atmosfera carica di ispirazione, con idee che scorrevano libere come un fiume nella creazione di una forma d'arte collaborativa unica, nota come "The Plexus Art Co-Opera".

 

Le Art Operas e Co-Operas sono state il carattere distintivo del viaggio di Plexus, che unito diverse comunità di artisti, con diverse visioni e forme artistiche  su pressanti sfide quali i diritti umani, la pace, la perdità della biodiversità, la desertificazione, il valore della diversità culturale, lanciando nel 2008 nell’ambito del progetto itinerante “Erosions and Renaissance”  un’Appello per la Salvaguardia del Patrimonio Culturale e Naturale dell’Umanità” dalla Casa degli Schiavi di Goree, Dakar, come simbolo dell’erosione della nostra memoria storica.

Ogni evento di Plexus International si è svolto nel proprio presente, fatto di richiami a concetti e attività passate, proiettandosi nel futuro, in cui l'arte, come il cibo, è elemento essenziale per la nostra evoluzione.

 

Nel corso degli anni, nel viaggio di Plexus sono stati anche esplorati mezzi di comunicazione sperimentale e scambi di arte digitale, prima che esistesse iternet.

• Nel 1987, a Gavoi (Sardegna) nell’ambito dell’Art Coopera “Il Serpente di Pietra”,  ha esplorato prima che esistesse internet, una interazione via I.P., Sharp bitnet e Earn network per scambi digitali di opere d'arte in diverse parti del mondo facilitate dal Dax Group della Carnegie Mellon University e il Dipartimento di Fisica dell’Università di Cagliari.

 

In un mondo globale, dove valori e culture differenti si stanno sempre più scontrando, Plexus International offre un modello aperto d'arte per una possibilità di partecipazione globale anche per piccole e lontane comunità, molto spesso separate, anche se a volte vicine tra di loro.