DO YOU KOW THAT ART IS A BIOLOGICAL NEED FOR OUR EVOLUTION?
In the Evolution of the Homo Sapiens corpus, Biology and Culture are interconnected by the genetic capacity to modify, convert, and transmit metabolic ionic charges as cultural messages.
Many factors of Culture and Biology are crossing over as part of a whole socio-biological organism, in which also the individual body and mind are genetically interacting together and in interdependence.
The human being is made by an integrated system of body and mind, a sociobiological organism absorbing and transforming “energy”, which provides necessary ionic charges for it sociobiochemical moves.
These ionic charges effect the recombination of many conductive chemicals in solution in the human body, during the physiological process of transformation from “Matter-Food” into “Energy”.
The ionic recombination supply the recycling “Energy” for the human body to exist and to think.
Through networks of differentiated cells in communication together by interactive systems (Plexus or Charas) this “Energy” is responsible of the sociobiological information and its genetic transmission.
The human being like the physical world, with all its animate and inanimate realities, is made in space and time, by ionic transformations of differentiated states of “Energy” as “Matter”.
In both the human and the physical world diversity in forms and behaviors is only a phenomenological effect of the relativism of the atomic crystal configuration on which the micro and macro realm of the Reality is build.
The whole Reality in which the human being lives is time-factored by energy configurations and transformations of the ionic crystal mask of “Matter” from the computer silicon chips to the physiological sodium pump of the human cellular membranes, from the snow to the rocks of the mountains, from the DNA of the chromosome to the bones of the skeleton, from thinking to conversation.
The solar PLEXUS is a complex of PLEXUS, CHAKRAS, connecting billions and billions of individuals cells as a whole living organism, the human being, able of reproduction, of growing, of modifications of thinking, and transmitting culture.
“Art” as sociobiological “Matter” can be documented as a cross over between Biology and Culture, beyond their physical differences, able to transfer information or/as ionic “Energy” from one system to the other one.
My theoretical proposition Is to document the over crossing relationships between "Art", "Energy" and Biology. In a physical reality that cannot be reduced or framed to or by a predicted logical theory.
I will Investigate If modern theories of Physics and Albert Einstein's Relativity can be applied to my sociobiological hypothesis of "Art" and "Energy", amplified by Nobert Wierner's theory of Information E=M=I .
Where: ,
E= to Energy
M= to Matter
c2=to the speed of the light
I=to Information
If "Art" Is "Concept" therefore Is "Concept-Matter"
I can Infer that
"Art" Is "Matter" = "Energy" = Information = Concept
I can deduce that
A=M=E where for A Is "Art"
then
because E=I for Information theory we can Infer that A=I depending upon that c2 (the speed of the light) has a new logical time value, that I called Art Logic, Independent from the Logic of the Cartesian heritage of " I think therefore I am".
Time Is now the 4th dimension. "Time-Space" has changed "Logic"
One Nanosecond Is a billion fractions of one second. It Is the time with what are working our logical computers, It Is the time measured before to be able to think It. It Is the a-rational time that exist before Its thinking, and Its cartesian dependence of "Coglto ergo sum"
"Art" as "Energy-Information" as a sociobiological Know How, have the capacity to develop its own socio-biological communication, able to perceive and transmit the immunological code of the human being, speaking as the dolphins, mammalian like are doing with their sonar, by quantum of energy, directly from their pulsar charges. -
Art is Food - PLEXUS FOOD ART High Electromagnetic Intentional Food
The consumption of “Art” by the human corpus can be conceived as a digestion of “Food”, by which the corpus is nourished by art, participating in the general metabolism of the human corpus.
"Art" can be the Environmental Radar for a future sociobiological navigation towards New Worlds as Marshall MacLuhan said. Able to see beyond the unilinear-rational horizon of pragmatic schools or controlled markets, like Albert Einstein's curved Time-Space concept, which posed the attention to the curved space, and of the use of the Time as the 4th dimension of the curved Space, where, micro and macro, positive and negative, ying and yang, and two parallel lines meet In the Infinity.
If "Time-Space" Is "Infinity", may be there Is where the logical binary system of the "concept of Art" will meet with the non predictable quantum of "Energy" crossing the phenomenological physical separation between body and mind.
"Art" as "Energy" as "Time-Space" can be concised In one whole organism, In one vibrating non continuum quantum of "Matter", In Evolution, only Imperfectly perceived and divided by positivist theories with Its "Isms" or systems.
PLEXUS FOODART INTERNATIONAL
“FoodArt” is digested into neurophysiological reactions which affect the anabolism and catabolism processes of the human corpus. Through the digestion of foodART the METABOLIC, ionic process will supplies ”ARTEnergy” for the vital activities of the human corpus. Plexus FoodART will be connected, through all its cellular parts, by the SOLAR plexus networking system of blood vessels, lymphatic fluids, nerves and immunological messangers.
Immunological Art Messemger Inteleukine 2 by Gaetano Brundu
"Eating Art" concept, in Plexus, since 1986, is associated with the artistic representation of the molecular model of the immunological cellular messenger Interleukine 2, IL2, made by Gaetano Brundu, who explored, with a series of drawings, named "Les Messangers," the encounter between immunology, art, and the survival of connected forms:
In the middle of the 80’s came the encounter with the Interleukine 2 or better with the image of its molecular model elaborated in the laboratories of the University of Paris VI and published in the monthly French journal La Researche in the May 1986.
That image, made by Rimsky e Norris, represents one of the plausible configurations of the IL2 (Interleukine 2) in the space.... The image of that model of IL2 I have put next that of my “baffo” (moustache), they have interacted in various ways in my pages,...
The general title of my operation was the same title of the article of La Recherche: ” Les Messangers de l’Immunitè.”
I was intrigued enough by those images very similar to mine “baffo,” that appears suddendly on the panorama of science, connected to the mechanisms of immunity that are inner most mechanisms in defence of the organism. Also there a sign of strong vitality that I believe is at the bottom of the mistery of life and of the survival of beings and of species. The mistery of my fantasy solidified, the animal pregerminal vitality and the intimit defence found themselves in my creative work, in my fantasy over a distance of years.
From an other side I was intrigued by the same mystery that took care of the genesis of certain forms and images, the encounter between gesture from which was born my first moustache and the systematic methodology of scientific research that brought me the ìplausibleî model of that molecule.
